![]() ![]() ![]() The pianissimo sections are a little too soft, and the instruments sometimes sound muddled. I also can appreciate how you mixed a hint of romanticism in here (I love Romanticism, so extra brownie points from me here □). Given the nature of your work, I was clearly able to pick out your motif, as it is evident from the very beginning, and love how you do variations around it throughout the entire piece. Strings are VERY hard to emulate, and although the new sounds are good, they still sound very stock and synthesized. I will still say though, please do not give up your Daw over the stock sounds (if you can afford to do so), because EWQL and the professional sounds are still better. The strings are not bad for stock sounds. Thanks for listening and I'd appreciate any constructive comments, observations or critiques you're willing to give! Merry Christmas!Įdit: I've updated the score and mp3 to include some more dynamics, sul ponticello instead of mutes, and centered the panning of the contrabasses. This piece is partly inspired by Bartok's Music for Strings, Percussion and Celesta, although I hope you agree that it is quite different. This is version 3 - Musescore kept omitting certain notes for some reason. It's in both F# and C and A major is right in between those two so it was the most convenient key signature. The key signature for this piece is A major because the piece is bi-tonal. This is my first experience with Musescore 4 and Muse Sounds and I'm pretty satisfied once I worked out some of the kinks! I think I probably won't need to use any DAW given its capability. I copied it to paper and finished it, then entered it into Musescore 4. ![]() Subtitled "Night Music for Large String Orchestra", this is an old piece that I salvaged from back when I was writing straight into the sequencer. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |